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dc.description<p>Statue Hermes Psychopompus. The gesture of the figure of Hermes (Mercury) has caused the descriptive Logios to be added, to signify the god of eloquence, characterized by the oratorical gesture of the raised right arm: this sculpted image is however due to a restoration by Algardi, which aimed at giving the iconography of the god a different aspect from that originally intended. The concentrated and sad expression of the face recalls a funerary sculpture, with the right arm slightly raised in a gesture of farewell; the left hand held the caduceus, a branch with two intertwined serpents, which is the typical attribute of the god, represented as a Psychopomp, who accompanies the souls of the dead into the underworld. In 1631 Alessandro Algardi restores the sculpture, refashioning the right arm, the feet with the base, the tip of the nose and also the attributes typical of this divinity, such as the edge and wings of the petaso, the hat with the wide brim, the little bag in the left hand and the caduceus in the right; these additions, now removed, are reproduced in Claude Randon’s drawings, printed in 1704.<br>Roman copy after an inferred bronze original of the 5th century BC attributed to the young Phidias, ca 440 BC,</p>
dc.format.mediummarble (rock)
dc.titleHermes Ludovisi
dc.type.physicalsculpture (visual works)
dc.relation.fondUNIBO Europeana Archaeology
dc.coverage.temporalperiodImperial/Late Roman
dc.contributor.providerAMSHistorica - University of Bologna
dc.contributor.intermediateproviderBYZART Project
dc.contributor.dataproviderUniversity of Bologna
dc.relation.placeMuseo Nazionale Archeologico, Italy
dc.relation.projectBYZART Project
dc.type.coarResource Types::image::still image
item.treefondsrootBYZART. Byzantine art and archaeology
item.fulltextWith Fulltext
item.coartypestill image
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